DANCE 4 GIRLS 4 HARPS

Harp Quartet. Digital Recordings Made By Fritz De With on a Nagra 6. Recorded at St. Michael and Angels Church, Blackheath, London 26-28 June 2017.

DANCE 4 GIRLS 4 HARPS

STS digital 6111174, DDD

In a STS recording, you will find:

• 1. The warm sound, that acoustic instruments posess on their own, but is often not captured by sound-technicians.
• 2. Acoustic placing and recognition of the musicians in the recording space.
• 3. Phase purity of a recording, both the electric phase (good cable/fibre connections etc), and the acoustic phase must be acquired through proper placing of the microphones.
• 4. Symmetry in the recording; this means always placing the microphones in such a way that on both the left and the right side there’s an equal division of signal, and not placing mono suport microphones on the extreme left and right.
• 5. Transparency and clarity in a recording. This does not mean an overly sharp recording, but one of softness in tone and clarity, in which especially the 3-dimensional recording-space is being displayed.

1.   Mazurka from Masquerade Suite

2.   Waltz from Masquerade Suite

3.   Dances 1, 2 and 3 from Prince Igor-Polovtsian Dances

4.   March of the Montagues and Capulets from Romeo and Juliet

5.   Waltz no.2 from Suite for Variety Orchestra

6.   Polka from Jazz Suite no.1

7.   Grand Waltz from Cinderella

8.   Danza ritual del fuego from El amor brujo

9.   Danza del Corregidor from El sombrero de tres picos

10. Dance du Meunier from El sombrero de tres picos

11. Milonga del Angel

12. Libertango

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