ELEONORE PAMEIJER & RALPH ROUSSEAU

Instruments: Wooden Traverse Flute, 7 String Viola Da Gamba, Bows

ELEONORE PAMEIJER & RALPH ROUSSEAU

STS digital 6111170, AAD

In a STS recording, you will find:

• 1. The warm sound, that acoustic instruments posess on their own, but is often not captured by sound-technicians.
• 2. Acoustic placing and recognition of the musicians in the recording space.
• 3. Phase purity of a recording, both the electric phase (good cable/fibre connections etc), and the acoustic phase must be acquired through proper placing of the microphones.
• 4. Symmetry in the recording; this means always placing the microphones in such a way that on both the left and the right side there’s an equal division of signal, and not placing mono suport microphones on the extreme left and right.
• 5. Transparency and clarity in a recording. This does not mean an overly sharp recording, but one of softness in tone and clarity, in which especially the 3-dimensional recording-space is being displayed.

Jacques-Martin Hotteterre (1674-1763)- Deuxième Suite pour flûte avec la basse

1. Prélude 
2. Allemande 
3. Sarabande 
4. Gigue 

J.S. Bach (1685-1750)- Sonate in e-klein BWV 1034 für Flöte und Bass

5. Adagio ma non tanto 
6. Allegro 
7. Andante 
8. Allegro 

Unico Wilhelm van Wassenaer (1692-1766)-Sonate in F-groot per flauto e basso continuo

9. Grave 
10. Allegro 
11. Adagio 
12. Giga presto 

Antonio Vivaldi (1678-1741)- Sonate in e-klein uit ‘Il Pastor Fido’ per flauto e basso continuo

13. Vivace 
14. Fuga de capella 
15. Largo 
16. Allegro ma non presto 

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